Wednesday, April 11, 2012

Thai Macbeth

Normally I  would have skimmed over this story as only having relevance to a wider international community (that this site doesn't necessarily attract), but numerous people have sent me links so let's talk about Thailand banning 'Shakespeare Must Die', a film adaptation of Macbeth.

 The movie does hit close to home, as it features actual images from the October 1976 student uprising in Bangkok and the May 2010 violent dispersal of pro-Thaksin red shirt protesters in the capital. (Thaksin Shinawatra was ousted in a coup in 2006 but he remains hugely popular. His sister, Yingluck Shinawatra, is now Thailand’s prime minister).
That seems to hit right at the center of the problem, doesn't it?  This isn't a case of banning Shakespeare, as I see it.  This is a director who had something to say about the current state of his (her?) government, and used Shakespeare as a backdrop.

Discuss?

Wolfram Alpha Shakespeare

This morning a reader sent me this link about what happens when you tell search engine Wolfram Alpha about Shakespeare's plays:

Entering a play into Wolfram|Alpha, like A Midsummer Night’s Dream, brings up basic information, such as number of acts, scenes, and characters. It also provides more in-depth info like longest word, most frequent words, number of words and sentences, and more. It’s also easy to find more specific information about a particular act or scene with queries like “What is the longest word in King Lear?”, “What is the average sentence length of Macbeth?”, and “How many unique words are there in Twelfth Night?”.
I suppose this has value at some level.  But if anything it goes to show how limited a pure textual analysis is, don't you think?  Great, it can determine the longest word in a play.  But who gets to decide what that means, and why it is (or is not) important?

Reminds me of an age-old quote, attributed to Picasso:  "Computers are useless. They can only give you answers."

I've always been far more intrigued with stories of AI in computer science where they attempt to make sure leaps about things that are important, and why they are important.  Pioneers Doug Lenat and Roger Schank did a great deal of work in this area -- Lenat's "Cyc" project can easily be seen as a precursor to what Wolfram Alpha has become.

Something that I've always dreamed about, and who knows maybe one day I'll build it, is a sort of search engine where you ask questions of the characters from within the context of the play, like one of those murder mystery tv shows where you're the detective coming in to question the suspects.  "Hamlet, why did you kill Polonius?"  "I thought he was my uncle."  "When did you do it?"  "When I went to see my mother in her bedchamber, after we saw the play."  That sort of thing.  And you could switch around your context to ask different characters their take on the same situation.

That wouldn't have any academic value per se, as the programmer would have to pick a specific interpretation of events and then state it as if it were fact.  But as far as entertaining the user while also teaching her something?  I think it could be a big hit.  "Chat bots" have always been amusing, to a degree.  This would just take it to the next level.

Monday, April 09, 2012

What Do You Believe? What Do You Wish?

Here's a conversation I've always wanted to start.  When it comes to a great unknown, be it religion or the the lottery or Mr. Shakespeare, I've found that I can never truly straddle that line between what I *wish* to be true, and what my logical brain causes me to *believe* is true.  I may wish to hit the lottery when I buy a ticket, but I believe that I almost certainly will not.

I've always wanted to do that with Shakespeare.  We don't know a lot about the man, and pretty safely never will.  So I open it up -- what do you *believe* is true about Shakespeare?  And what do you *wish* was true?  This conversation may drive the historians (who presumably would like to know what *is* true) nuts, but the romantics can have a field day. :)

I wish that Shakespeare was indeed attempting to write this cookbook for what it means to be a human that he managed to create for us.  I wish that everything we choose to read into his works is in fact really there because he deliberately put it there.  A message for all time, from the master.

I wish that he had a happy home life, and that his writings on romance stemmed directly back from his own feelings for his wife.

I wish that someday we'd know the answer, definitively, to all the great questions we have.  What's the deal with his education and life experience? How'd he learn so much about so many topics? What was he doing for his lost years?


I believe that we'll never know those things for sure.  I believe that in another century we may pick up a few clues along the way but it will all still just be peace-meal guesses at what the clues mean.

I believe that his home life was about as difficult as any man's during his day.  I don't believe there was anything magical about it.

I believe that while William Shakespeare was *better* at his craft than the next guy, that this is most likely all he ever strived to be.  He was a shrewd businessman and a bit of a penny-pincher from all we can tell, so I don't have any difficulty believing that he saw his plays as a way to make a lot of money.  His craft (his gift?) came from putting something different on the stage, from changing the audience's expectations about what they were about to see.


Know what the major difference is between what you believe and what you wish?  What you believe should constantly be subject to scrutiny.  New information should make you welcome a change in what you believe.  Bring me new evidence to clearly dispute any of the beliefs that I listed, and assuming that I believe your evidence :), I'll change my beliefs.  But what we wish?  We can cling to that as long as we like.  That's ours.